TheWB’s promo for “Free Fall” teased the Jake/Andy couples
therapy storyline eleven years ago as if that would draw more viewers during
Everwood’s low-rated fourth season. It didn’t. The DVD booklet description of
“Free Fall” highlighted the couples therapy story. I understand why. It’s zany,
silly, and unexpected “comedy” in that lame WB kind of way. Their promo
department loved the quirky 30-second promo. If a viewer happened to see an
ANGEL promo and didn’t know the show existed until that promo, the viewer
would’ve thought ANGEL followed young, hip Los Angeles transplants in a retro
hotel having twenty-something adventures, maybe like John August’s short-lived
DC. Every show got the 30 second quirky promo. “Next week on TheWB Tuesday,
Buffy has faced vampires and demons but she’s never faced…HER FIRST COLLEGE
ROOMMATE” and then what follows are various snippets of Buffy being annoyed by
her roommate.
Nina and Andy still aren’t friends because of Jake, though
the two already fixed their friendship. Nina can’t spend the same time she used
to with the Browns because of Jake’s antipathy towards Andy. It’s the kind of
inane storytelling a twenty-two-episode season can’t avoid. Every little piece
of drama must be carved out and served to its glass-eyed drooling audience,
which is why Jake and Andy consent to couples therapy with a friend of Nina’s
friend.
Naturally, the issue isn’t even the kiss so much as what
Andy represents. The cracks that appeared in Jake in “Connect Four” became
wider. The writers glossed over Jake’s real issue: it was the kiss and the man.
The kiss signified to him that Nina might’ve, for a moment, wanted what Jake is
not. He is not Andy Brown. Jake’s story moves beyond the kiss and Andy Brown
issues, though, and it’ll be terrible.
Ephram’s mentorship of Kyle continued with an adventure into
the mountains where Kyle learned to relate to other human beings. Again,
twenty-two episode seasons mandate slow reveals, so Kyle drops a bunch of hints
about what bugs him. It’s clear he doesn’t fit in, and he’s mad at the world
because his Dad abandoned him and his Mom can’t afford his future. Also, his
only friend is Ephram, and he, Kyle, has no interest in a girlfriend. If you
think Kyle couldn’t get more angsty, you wait. The parallels between the characters
became clearer, if they weren’t already clear. They were, but, again,
twenty-two episode seasons, you know? Both boys lost a parent, one to death and
the other to another woman. Both are prodigies. Yada yada. For Ephram, the
mission of their day adventure is two-fold. He wants to help Kyle afford to pay
for the Julliard application fee, and he doesn’t want to think about Amy dating
another guy.
Amy’s thing with Reid’s about as hot as a shopping for
antique spoons. There’s an important little beat when Reid passes a classmate.
His constant stress about studying is also a thing. The episode’s title “Free
Fall” is a misnomer. Well, two characters are in free-fall, though no one knows
it, but it’s more of a prelude to a free-fall in a way because the writers
wanted to be coy about the lives of Reid and Jake going to shit. Rose is
shoehorned into the free-fall thing, but she merely wants to take time to
figure out her next step after losing the mayoral race. They’ll go to Africa
next. From there, they’ll have their next significant arc, complete with
annoying melodrama.
Nancy Won wrote the episode. Arvin Brown directed.
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