The old and elderly don’t have any presence on primetime
television. Norman Lear, the legendary sitcom creator and writer, has tried to
find a place for his series about life in a retirement village, titled Guess
Who Died? Lear told the press in January 2016 that TV writers relegate older
characters to marginal roles, either “eccentric neighbors or wise-cracking
grandparents”. Their problems, plights, and pains remain invisible to TV
audiences. Network executives think that young people only want to watch young
people, and I think that’s wrong assumption.
I never expected an episode of Grimm named “Blood Magic”
would end up telling a poignant story about aging, dementia, and dignity in
dying and, thereby, making an aspect of older life more visible for the viewing
public. I hope Norman Lear has a chance to watch it. Whereas “Tree People”
served a pro-environmentalism and pro-conservation message, “Blood Magic” tries
on, however slightly, the controversial issue of Right to Die. The Right to Die
issue is complex, complicated, and better served when different individuals
(politicians, law makers, doctors, patients, etc) sit down together in a room
to whether or not someone who is suffering has the right to choose when he or
she dies. The Wesen community leaves the choice to the family. Rosalee expects
Nick and Hank to think it a ‘callous’ in an instance of the writers possibly
anticipating some sort of backlash from viewers for portraying the issue in a
humane and merciful light.
Norman Lear’s “Guess Who Died?” would make the issue a
conversation between his characters. That’s the Norman Lear way. Grimm isn’t
the type of show in which characters would pause the action to discuss the
issue. Ultimately, Nick makes the decision that Mr. Stanton would needlessly
suffer in prison for murders he didn’t know he committed, so the Wesen community’s
Godfather of Death humanely ends the man’s life along with his sufferings. The
scene in which Mr. Stanton dies brought tears to my eyes (partially brought on
by Bree Turner’s acting). No, I never, ever expected Grimm to tell a humane,
poignant story about dementia and dying with dignity.
The plot leading to the moving scene at the Stantons
involves the problem of older Wesens who can’t control when they woged and
attacked. The 91 year old woman who dies earlier in the episode tells an
orderly helping her that she remembers running and the taste of blood in her
mouth. When she shortly woges, Mason, the orderly, acts in self-defense. Nick
and Hank must prove Mason’s innocence without implicating Dr. Lando, the
Godfather of Death, who also acts as the attending physician at the elderly
home, because of Rosalee’s and Monroe’s insistence that Nick not remove Lando
from the community. It’s their way of protecting Wesen. Nick can’t interfere.
I liked that the writers continue to add to the Wesen world
so late in the series. Each addition to it makes it more of a fluid,
independent world. Nick as the Grimm sees what may be a tiny part of their
existence. He faces the murderous, criminal part, and it’s a shame Grimm didn’t
explore other areas earlier in the series.
“Blood Magic” also dealt more with the mirror world, its
connection to blood magic, the symbols in the tunnel, and Renard’s growing
curiosity about said symbols and its connection with his daughter. Renard and
Nick spoke for the first time in “Oh Captain My Captain” about the symbols and
the tunnel. Nick told him to “share what he knows”. No tunnel access for him.
Juliette is off on her own researching. Adalind can’t help her much, or she
could but she would rather protect Juliette from what awaits her in the mirror.
Man, what a sentence. This show is silly.
Other Thoughts:
-Why don’t writers’ rooms institute a rule for characters
saying “I don’t want to talk to character x until I have y figured out”? Nick
said it this season. Juliette said it. The line sucks. It’s lazy writing. Don’t
do it.
-Thomas Ian Griffith wrote the episode. Janice Cooke directed
it. She directed the third season Dawson’s Creek episode “Cinderella Story”.
That was the first episode she directed in her career. I would ask her so many questions about that experience if I could.
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