Grimm definitely
does not ‘work’ all the time. Often, it’s a messy show with inconsistent
pacing, strange plot choices, odd structures, and pieces the writers will
ignore for months and months--for example, the Wesen council. The Wesen Council
seemed like the lite version of The Watcher’s Council in Buffy. Buffy’s
Watcher’s Council made her, Buffy, unhappy. They were a stuffy, rigid council
more concerned about themselves than the one girl saving the world. The Wesen
Council was similarly useless. Rosalee reached out to the council after the
Black Claws ambush on the gang. Their response? We’ll get back to you. The
council never does, because a member of Black Claws murders the entire group
during a meeting about how to contain the threat of Black Claws. The
elimination of the council will create a ripple effect through the wesen community.
Lucien seemed to clarify that his group wants the world to know about wesen. No
wesen council will probably result in chaos, or nothing. One never knows with
Grimm. The writers, really, wrote off a part of the show that added nothing.
Whatever shallow drama the wesen council added to the show was not dramatically
interesting. The wesen council appeared and it was like, “Oh? Britta’s in this…”
Black Claws laid
waste to the council. They killed Xavier. Nick and Hank learned the ideology of
the group spread into suburban families after asking Billie’s parents questions
about her whereabouts. Her parents believe she’s living a courageous life of
convictions. Nick, Hank, Monroe, and Rosalee try to make sense of recent
developments. They’re all reactive, vulnerable, and unsure. Trubel knows more
than they, as does Meisner, and none can believe Juliette came back from the
dead as an even more destructive force. For Nick, he needs clarity about
Juliette (who and what she is). The woman was responsible for the death of his
mother, and the near destruction of the people closest to him. Juliette/Eve is
in character rehabilitation mode. Meisner gave her the name Eve to symbolize a
new beginning. Instead of biting from the forbidden apple, Juliette/Eve will
atone for ever touching, let alone biting and mauling, the forbidden apple.
The appearance
of Eve upset Nick’s new domestic order. Adalind worried about the return of
Juliette, you know, because of the wanting to murder her thing. Adalind and
Nick have adapted to a peaceful domestic situation with Kelly. They meaningfully
kissed for the first time (no one acted like the other; no one was forced to do
it to save someone else). Adalind apologized for what she did to Nick. After
they kissed they thought about the implications of being together. Both decided
waiting until the craziness subsided before doing anything. By then, Meisner
will likely have brought Diana back to Adalind, and Juliette may be redeemed.
This whole storyline—the different parts cohering together eventually--could be
a disaster.
Nick’s meeting
with Eve had that underwhelming quality specific to Grimm. The writers build to
climatic meetings or fights or
revelations, but the scene itself is a dud. Nick/Eve was a dud. Juliette/Eve
sits stone-faced, offers a little about her purpose, and then stands to kill
one of the leaders of Black Claws. Nick asked about what she did before he
thought she died to which Eve met him stone-faced. Eve returned to her cage.
She removed her wig. The last shot of the episode was of her eyes to show how
precarious the divide is between her two selves.
“Eve of
Destruction” established, for the third time this season, the Black Claws
threat. The difference this time, I suppose, was becoming aware of how the good
guys planned to combat the threat. Black Claws revealing that wesen live among
ordinary humans seems the initial agenda of the group. I assume they’ll want to
take over the world, too.
Other Thoughts:
-It was a decent
return for Grimm. NBC only aired 6 episodes during the fall. Will NBC air an
uninterrupted stretch through May?
-Renard and Wu
fell off the narrative after the teaser. Renard helped question Xavier. Wu
disappeared.
-Thomas Ian
Griffith wrote the episode. John Behring directed.
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