#411-“The Tao of
Dawson”
Grams can’t date
without Dawson prying into her business. The theme of this episode and the next
episode is: the characters have too much time on their hands. Dawson worried
Grams dating a dying Brooks would devastate her, but Grams decided happiness
for a brief time with Brooks means more than no happiness without him.
Self-absorbed Dawson related Grams’ words to him and Gretchen. I forgot that I
don’t like the actual Gretchen/Dawson relationship. The writers made it the
only girl more important to Dawson once than Joey was. Dawson scoffed at the
idea of every kiss/relationship acting as an epic event, but the writers didn’t
know how to make an event other than epic.
A letter young
Dawson wrote to freshman Gretchen brought them together at the end. Earlier,
Gretchen picked up her car from her ex, played by Christian Kane; however, more
important than the car was Gretchen’s epiphany that she needs a Dawson in her
life—not a Nick. Dawson asked permission of Pacey to date his sister, which
caused Pacey to try hard to sabotage it for Dawson. Dawson noted he would’ve
taken things better if Pacey told him about his feelings for Joey last year. The
writers worked hard to justify Dawson/Gretchen as a couple. It was unnecessary.
Gretchen’s a placeholder. I wish they stayed friends.
#412-“The Te of
Pacey”
Pacey
experienced a lousy birthday party again. He referenced the party he threw for
himself in season two. His party in season happened in warm weather. His
birthday party in this episode happens in January 2001. Again, there’s more
Gretchen/Dawson angst between the two. Gretchen, after feeling sure in “The Dao
of Dawson,” doesn’t feel sure anymore. Joey spazzed about it. Pacey cared more
about receiving a rejection from his fallback school because it affirmed his
family’s forecast of him as a failure in life. Pacey’s father, who’s a
consistent shithead, suddenly turned face and saved Pacey’s birthday party.
Despite taking his son down whenever he could, he revealed his love for him via
the fireworks gift, tracing it back to Pacey’s 10th birthday when
that’s all he wanted, and how Pacey’s happiness filled him, his father, with happiness.
Pacey
foreshadows his senior prom meltdown by telling Joey of his fears about growing
apart. Joey’s bound for academic glory in college while Pacey’s bound to stay
in town as a loser and a failure. Joey never loses faith or love for her guy.
She’s completely invested in their relationship. I’ll have more to write about
what drives them apart after “Promicide.”
Jane Lynch guest
starred as Pacey’s mother. The family party lacked a third sister. Pacey
mentioned three sisters in season two or season three. Toby and Jen showed up
at the party. Toby instantly insulted Jack (because he likes him). Jen’s still
the best whenever Drue’s not involved in her story.
#413-“Hopeless”
Dawson responded
to Gretchen’s line about meeting with her friends by acknowledging that meeting
the new friends is the most awkward part of a new relationship, or something to
that effect. Dawson never dated anyone with different friends than his. Jen
knew no one but Dawson, Joey, and Pacey when they dated. Joey didn’t have
friends besides Dawson, Pacey, and Jen. Gretchen’s friends were under-written
and half-assed, so Dawson was right about the awkwardness. His age dominates
the evening. His sexual inexperience leaves him out of the hip college talk
about the stamina of college aged males, their ability to return to action
immediately after finishing, as well as lady discussion about loser lists which
makes Dawson feel like she wants him only because he’s safe. The evening’s
terrible for him, while for Joey and Pacey they’re unconsciously closer to sex.
The Drue/Rich Girl storyline existed to force thoughts of sex on Joey and
Pacey. Drue and Rich Girl slept together the first night they met. They like
each other, but Drue doesn’t, and who cares because it’s Drue. Pacey and Joey
discussed sex at the end to set up the momentous next episode. Unfortunately,
Joey needs Dawson’s permission before she lets her fears go and has sex with
Pacey.
I don’t like
“Hopeless.” I completely forgot the episode prior to re-watching it. Twenty
three episodes was/is tough for writers. Also, Dawson found Brooks on the floor
at the end. Brooks evolved from curmudgeonly boat owner to Dawson’s film savior
and Grams’ first passionate romance since Gramps’ death in nine episodes.
#414-“A Winter’s
Tale”
How about that
bear killing Dawson Leery at the end of the second act? Oh, sorry, wrong The Winter’s Tale. Brooks, a man that
didn’t trust Dawson to paint his fence (though his reluctance to compliment
Dawson and his icy and critical way towards him hid the soft center of Brooks,
because he was too proud to admit he needed people in his life), trusted Dawson
to make the final decision about his life. Dawson needs to make a life-changing
choice, which, amazingly, parallels Joey needing to make a different
life-changing choice.
Their phone
call’s baffling. It worked. Baffling’s not the right word. I’ll use strange.
It’s a strange phone call. Dawson explains what Joey needed to hear, but he’s
talking about deciding whether his mentor lives or dies and Joey’s deciding
whether she wants to wait to sleep with Dawson for the first time or sleep with
Pacey. Earlier, Joey asked Pacey why he stayed with her for nine months if he
doubted Joey’s desire to have sex with him. Pacey could’ve asked the same
question. If she wanted to wait for Dawson, why did she choose Pacey? The whole
sex storyline’s bad nonsense. I dislike how much Joey considers Dawson (meaning
I dislike how much the writers wrote Joey to consider Dawson). What prevented
the writers from moving past it? Sure, Williamson told the press in 1997 that
Dawson’s Creek centered around two soul mates. He left the show. It wasn’t his
oyster. It was their oyster. They kept at Dawson and Joey. Thankfully,
Williamson came back for the last episode to do what the writers should’ve done
seasons earlier. I can’t remember whether Pacey learned about Joey’s phone call
with Dawson. He probably did.
The story
highlight of the episode belonged to Jack and Jen, the two best characters in
the season. Did the writers reflect on season four Jack and find him bland and
uninteresting? Toby, who didn’t appear in the episode, ragged on Jack about
being a frat bro. Jack’s the antithesis of frat bro; however, the writers make
him into a frat bro throughout season five. They gave up. I don’t know why.
Season four Jack’s awesome. The scene between him and Jen was the sweetest of
the season. Jack confessed his fear that he’d end up alone, that he’d only be
someone’s brother or friend, that he’d have no one who’d love everything about
him, and that he’d never love anyone as much as he loves Jen. Jen cried. Kerr
Smith and Michelle Williams, in one scene, out-acted everybody in the history
of the series previous to that.
#415-“Four
Stories”
Dreadful
episode. The writers couldn’t repeat “The Longest Day,” so they came up with
“Four Stories.” “Four Scary Stories,” which I wrote about in 2010, follows in
season five. It’s more dreadful than this episode.
Joey lied about
having sex with Pacey when Dawson asked because her and Dawson suck. Dawson
sucks for asking. Joey sucks for lying. Dawson’s Creek is, really, the story of
a mentally ill teenage boy. He experiences delusions of grandeur, he’s
unhealthily obsessed with his best female friend, he thinks he controls her,
possesses her, he believes the world revolves around him. Good Christmas Dawson
suffered from referential mania—“in very rare cases the patient imagines that
everything happening around him is a veiled reference to his personality and
existence. He excludes real people from the conspiracy, because he considers
himself to be so much more intelligent than other men.” There I go again. Dawson’s
question and Joey’s answer ruined the genuinely sweet exchange between them
about being best friends regardless of location and spouse. These characters
suck.
At this point in
the series, Joey’s closer and closer to Saint Joey. She’s insufferable in “Four
Stories.” It worsened next season and the season after. I didn’t like either
Pacey or Joey in the first story, and especially not the writing. I compared it
to Ephram and Amy in Everwood. The morning after they have sex for the first
time they cuddle and snuggle, and then they return to their separate homes. Amy
ate breakfast and smiled. Ephram called her later because he felt so close to
her. It’s wonderful. Post-sex for Joey and Pacey is atrocious. Bring on “Promicide.”
Jen’s story with
the therapist, her punishment for drinking on the trip, sets her up for one of
my least favorite episodes in the series (“Eastern Standard Time”). And Dawson
learned he inherited a lot of money from Brooks. Also, Dawson needed to make
peace with Brooks’ death in his most bipolar scene since “The Longest Day.”
Brooks became a romantic and cinematic hero by the end of his arc, but he began
as a cautionary figure for Dawson if he didn’t learn to move past Joey/Pacey
and forgive them. Dawson. The middle stretch of season four is almost
intolerable. More terrible nonsense is ahead. Dawson and the money will be a
thing for Joey and college. There’s a pregnancy episode that’s in the top five
Dawson nonsense episodes. Ah, it’s all terrible.
Part 4 soon.
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