“I Carry Your
Heart with Me” was a busy episode. Halloween ball. Stefan and Caroline tried to
prevent Nora and Mary Louise from murdering the student body. Nora and Mary
Louise fought. The audience learning more about each character besides ‘they’re
English, hot, and lesbian. Bonnie had to raise the dead twice. Enzo asked Valerine to work with him to stop Julian from
returning. Damon opened a bottle of old wine.
Obviously, the
most important part of the flash forwards is not the Heretics running Mystic Falls
or Valerie pining for Stefan or Matt Donovan’s heroic daily duties as the only
officer in Mystic Falls, it’s the damn phoenix stone and everything that’s
going to happen because Bonnie and Alaric used it to bring Jo back from the
dead. The flash forward in this episode showed a happy Alaric Saltzman failing
to fix a baby doll toy. Damon showed at his door step and engaged in frosty
discourse with his best friend (probably former at this point) and threatened
to murder him and his family if he didn’t invite him into the house. Damon
derisively noted Alaric got everything he wanted. As usual the narrative
returned to present day Mystic Falls with the dramatically flat Heretic story. What’s
the gist of this week’s episode? Save Elena. Sigh.
Stefan and Damon
argued about Damon making stupid choices for Elena. Stefan’s point is that
Damon puts her in danger because he doesn’t know what to do without her, so
he’s doing something for her. I don’t know. The scene was confused. The
brothers also sort of turned against each other after one day apart. I think
Stefan expressed frustration because Damon’s plans to get Elena’s coffin back,
of course, put her in danger; however, Stefan’s so in love with Caroline that
Elena and him don’t exist as a past relationship (and hasn’t for a few seasons,
besides a small scene in the season six finale). Damon thought Stefan
sympathized with their mom. Stefan said he didn’t. Most of the episode Stefan
spent arguing that he doesn’t feel anything for Valerie and that he doesn’t
sympathize with their mom.
The mother issue
drops. Stefan and Caroline move onto distracting Nora and Mary Louise. I
learned Nora’s the free and friendly one while Mary Louise is the conservative
murderous one. Mary struggled to adapt to 21st century. Nora hasn’t.
Mary feels vulnerable about losing the only girl she loved, the girl she
endured nearly two hundred years of love with during a year when society didn’t
tolerate lesbians—much less vampire-witch hybrid lesbians. Mary Louise killed
some folk out of jealousy, but Nora and her reconciled. Neither character
became two dimensional during the story. The other Heretic, Bo or Beaux,
disappeared.
Stefan
faux-bonded with Mary Louise after he showed her a picture of an alive Oscar.
Mary Louise showed nearly as much emotion for alive Oscar as she did for
anything Nora. Enzo, Valerie, and the mute Heretic, plus Lily will feud with
Nora, Mary Louise, and Oscar later? Stefan threatened to kill Mary Louise so
Nora would break Caroline’s vervaine spell. So many spells.
Damon trying to
resurrect Oscar meant way too little Oscar, unfortunately. Apparently, Damon’s
been in a downward spiral since Elena entered magic fairy sleep. He returned
Oscar, got Elena’s coffin back, and had Tyler bring her coffin to where he’ll
eventually go to wait, until Stefan wakes him up in 2016. Sipping wine, sitting
on a log, Damon wrote Elena a journal entry about carrying her heart with him,
sipping old wine, the oldest wine, the wine he let age as he waited for
Katherine to return to him, which is why he began drinking bourbon, and
seemingly he associates the aging wine he sips with the sweetness of Elena’s
return in another sixty years. So far, his downward spiral includes drinking
aged wine. It’s not the stuff of season one.
Alaric’s another
dude who’s carried Jo’s heart with him since her death. Valerie has carried
Stefan with her. Lily carried Julian with her. Oh, so much metaphorical longing
for someone by someone. Bonnie surprised herself by the ease with which she
magically restored Oscar to life. Jo, too, was restored quietly. It’s but only
the calm before the supernatural storm of nonsense ahead, which, if it doesn’t
involve the Heretics, would be welcomed.
Other Thoughts:
-Holy hell the
exposition in the second scene of the first act. TV writers have said
exposition’s the hardest thing to write because it needs to sound natural,
flow, and matter for the characters. I don’t think exposition works
particularly well on TV. In “I Carry Your Heart With Me” it was egregious.
Executives want it for the sake of new viewers. I don’t know.
-This episode
marked the first ball/dance of season seven.
-Damon’s
invested in Matt’s mortality now. Matt partially motivated Damon’s return to
Mystic Falls. Could Matt be Damon’s best friend in 2016?
-Neil Reynolds
wrote the episode. Jeffrey Hunt directed it.
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