Bonnie and
Jeremy had their Ghost moment, but
without the sexy pottery, and instead with toxic fumes and a garage door
opener. That’s about right for the Bonnie-Jeremy relationship. Bonnie wants to
die because she’s stuck in a never-ending May day in 1994 while her friends try
to celebrate her birthday in Mystic Falls. There’s magic involved to save her.
If not save her, then there’s magic to give her hope. Hope’s the key to
anyone’s life, especially in a near suicidal state. Hope that something will
change. Nova Scotia represents hope. Hope’s the beginning of a transition. “The
Day I Tried To Live” is about transitions.
Kai transitioned
from sociopath to slightly empathetic sociopath, but he wanted to burn Liv
alive for trying to kill him, and he fights to feel nothing. Alas, he feels
something. He’s conveniently helpful when Bonnie’s near suicidal. Imagine if
the Mystic Falls crew waited the month. Bonnie would be dead. No, Bonnie
wouldn’t have tried suicide until the merge happened. Those are the machinations
of storytelling. Anyway, Caroline begins to transition into a more independent
life. Stefan’s there to help her, to force the ugly stuff out of her and those
gory parts that the grieving feel. Caroline beats Stefan with a shovel before
finding the object of her dig. She dug holes in the earth to find her stuffed
bear from when she was a nine. The bear represents the blissful past that
belonged to her vibrant mother and present friend.
Elena and Damon
transitioned to a post-kiss experience, which they’ve done twice or thrice
already. The fact that Elena changed when she became a vampire shocked Elena.
Damon admitted she wouldn’t have thought about him had she not died and turned.
The night of her turn she wanted to see Stefan, her love and only and only, but
she died. The sire bond then happened. Damon told her that, and she felt hurt
or embarrassed. Who knows. The fits and starts of their relationship has last
nearly three full seasons with no more than four or five episodes of sustained.
Keep milking that cow, Plec and Dries. Their drama happens in the midst of
Jeremy’s magical death dive into the alternative isolated hell designed for
Kai. If the magic fails, Jeremy dies. Jeremy will take the risk so that, even
if it fails, he’ll die with her. Conversely, Liv will die to kill Kai. Tyler
tried to stop her from killing him because killing him means she kills herself
and the rest of her family. Liv’s consumed with TV emotion and wants Kai to
end. The plot of the episode means Kai can’t die. Damon saved him after Liv
gutted him. His empathy will run out, of course, and he’ll want to kill
everyone.
Jeremy’s heroic
magical journey into the alternative loop accelerates his arc to an endpoint.
Season six Jeremy drank, slept around, and missed Bonnie. He half-heartedly
helped Matt try to kill Enzo. They failed. Jeremy disappeared. His journey to
the other other side gave him perspective. Bonnie drank too much bourbon before
attempting to her life via toxic fumes. She said goodbye to her friends. She
cried. She regained hoped from the thought of her grandmother’s encouragement
during hardships: “stay strong.” Grams could’ve added, “Don’t despair.” Stay
strong; don’t despair. Jeremy saved her life by pushing the garage door opener.
Bonnie couldn’t turn the engine off and couldn’t make it to the garage door
opener. The bright light of day restored her, and she saw Jeremy surrounded by
white light. Jeremy returned with clarity. He admits to his sister that he felt
trapped. Elena immediately suggests he leave for art school, so he will. Jeremy
will leave for art school. The beginning of what Julie Plec described as the
endgame of the series. Characters will leave. Jeremy’s departure from the
series seems more a thing of the writers feeling trapped with the character. It
happens in storytelling. Characters don’t always stay around in the writer’s
mind. Characters fade as others grow. Gass didn’t create Jethro until the third
draft of his first novel. Scholars tell of Shakespeare needing to kill Mercutio
before he took over the play. Jeremy faded. He died a lot. He was the
problematic little brother, the easy target for little bads and big bads, the
convenient anchor for Elena’s emotional state; he was the stoner kid and also a
vampire hunter.
So, Jeremy’s the
first departure of the final chapter of The Vampire Diaries. Caroline’s way of
coping with the impending death of her mother continues that theme of endings
and beginnings. Characters have used ‘move on’ multiple times in the last two
episodes. Moving on is the mantra for the characters, but the show’s remained
the same. The major threats change, but the structure remains. The gang needs
to eliminate a threat. I don’t see a shift in the show’s direction. I don’t see
showing moving on with its characters. When Liz dies, the writers, hopefully,
made it matter. When Jeremy goes, it should matter. It should change things,
even if it’s only infinitesimal change. TVD’s a show of extremes, though. Damon
and Elena either love without abandon or Elena hates him. Tyler never wants to
see Liv again after what she did. When Jeremy leaves, and when Liv dies, both
will have an episode devoted to the departure and the death; but, that’ll be
it. They’ll be gone. Caroline will turn off the switch or she won’t.
Dramatically, it’s tame and, sometimes, uninteresting.
Other Thoughts:
-I regret never
titling a journal entry of mine 11 years ago, “The Day I Tried To Live.” In
that imagined journal entry I probably would’ve vaguely discussed seeing my
blonde crush in the hallways and wanting to dance with her to Saves The Day
songs, in addition to writing about the Phillies, Funks jawnin jawn, and racing
down to STEVE’s apartment in 30 minutes, or maybe a really embarrassing poem
about my high school crush that’s way too similar, stylistically, to 2003
Senses Fail lyrics (which is NOT a compliment about the Senses Fail lyrics).
-The Enzo
storyline has purpose but is pointless. His plan is to corrupt Stefan’s niece
to the point she begs to become a vampire. Enzo’s a more interesting character
than this.
-Chris Woods
played reined in Kai very well. Many fans dislike Kai. Many fans actually hate
Kai. The scene in which Kai struggles between wanting to kill Liv while
struggling with what remains of Luke in him was his best since he joined the show.
He can do more than devour the scenery.
-The episode
opened with Steven R. McQueen pumping iron. Of course that’s what the character
does off-screen.
-Chad Fiveash
& James Patric Stoteraux wrote the episode. Pascal Verschooris directed.
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