Nadia and
Katherine sort of drove the last couple episodes. Their relationship, their
backstory, their honesty and transparency with each other, were what grounded
the two characters. Nadia wasn’t a great character when introduced and never
moved beyond what she was created for: to, sort of, humanize her mother.
Katherine was her most relatable and human after her brief time as a human
before she hijacked Elena’s body. Theirs was a story of misfortunate, bad and
lousy luck, tinged by tragedy. Whenever two people miss their chance with each
other in life, in any kind of relationship, it is a tragedy. Nadia’s actions
throughout the season were motivated by her goal to find her mother. It
included betraying two men she loved and involving others in danger. Nadia only
received the love she searched for in the moments before her death. Katherine
refused to ask Klaus for his blood because of the risk he’d see through the
façade. Katherine’s self-preservation, heroically cast in the 100th
episode, was her tragic flaw, costing her her only daughter, her only tie to
life once everyone figured out she hijacked Elena’s body. A life of escapes,
manipulations, and survival, gave her nothing at life’s end. She died as she
lived: alone.
Damon watched
Katherine’s final moments in silence, stolidly, watchful and observant, only offering,
eventually, a kindly ‘go to hell’ to the woman who ruined him. With death comes
change and growth. Damon looked beyond himself to see what he hated most was in
him. He was no different from Katherine in his acts of violence, his breaks
from his life and his responsibilities when his feelings were hurt. Somewhere
between brutally murdering Wes and seeing Katherine off, he realized he’d die
alone like Katherine if continued to act out. I never looked at Damon and
Katherine as parallel characters. Perhaps that’s because I’m a lazy viewer,
unaware of what’s happening in front of my eyes without someone telling me that
an ape is scraping the bars of his cage. Damon’s penchant for physical violence
parallels Katherine’s penchant for emotional violence. Both disrupt lives,
leave blood and tears behind, and care not for consequences. Wes told Damon the
ripper virus acts a mirror. Damon behaved no differently with that inside him
than he would have without it. Wes’ serum allowed Damon to deflect blame, to
associate his problems with something outside himself. Wes was incorrect. Katherine’s
his mirror.
“Gone Girl”
begins as one thing and ends as another thing. It is an episode split in two.
The first half of the episode concerns the plan to corner Katherine and kill
her. Caroline and Bonnie try to lure Katherine to a fake surprise party and to
a day spa. The ladies fail. Katherine learns she’s been made when Damon invites
her over less than 24 hours after trying to kill her when he thought she was
Elena. The episode shifts briefly to a quasi-strategy game in which both sides
try to manipulate the other. Katherine moves her dying daughter to an old,
abandoned, broken down, and crumbled church to protect her from those who would
use Nadia against her. Stefan, Bonnie, Jeremy, the new witch girl, locate Nadia
and use her against Katherine. Halfway through “Gone Girl” Stefan and everyone
else corner her in the Salvatore living room. Katherine confronts her fate and
her daughter’s fate.
The first half
of the episode is typical TVD fare: planning, bad execution, a brutal murder by
Damon. The second half slows down. The writing and acting become thoughtful
rather than reactive. TVD executes slow, thoughtful bits very effectively and movingly,
and Nadia’s was very well written and delicately acted. I liked that the action
of the episode, i.e. the planning and maneuvering, halted for Katherine’s
moment of momentary redemption with her daughter. The only redemption Katherine
can experience is momentary. In that moment, which can last a lifetime within
very quick seconds of time, Katherine gave her daughter a perfect day. Their
perfect day was a peaceful summer evening in a cabin tucked away in forest. It
lasts only a moment. Nadia dies—she’s the cost of Katherine’s choices, her
stranglehold on survival. Nadia passes, and Katherine turns to face all who
want her dead. After a failed escape, she has her moment with every character
that serves to sum up her interactions with each and to remind me that she’s
the reason Tyler became a werewolf. The scene condensed her interactions with
the characters throughout the 100th episode into a scene of
finality.
Katherine’s last
act mirrors her last act in the 100th episode. She can’t hijack
Elena’s body, but she will infect her with the ripper virus to prevent her from
having Stefan. Katherine dies and is dragged to whatever hell exists in TVD.
Meanwhile, Elena wakes, with a needle in her jacket, Katherine’s message to the
brothers. I’m more invested in the ripper storyline without Wes because Wes
seemed like a crutch for the writers. He was a non-threatening professor that
was able to complicate matters for our band of heroes. He essentially acted the
same as magic, though. He came out from wherever the writers stored him to
create chaos. I like that he won’t provide the answer to what cures the ripper
virus. I like that Damon’s brash actions have fatal consequences for him and
Elena. It’s not too different from Klaus causing destruction, storywise. It is
way more interesting to watch when there are no villains to kill, no one to
turn to for the cure; when regular vampires are the most dangerous to vampires.
Season five’s
rounding into form.
Other Thoughts:
-I haven’t read
much internet reaction the episode. From what I read, fans have expressed their
unhappiness about Katherine’s ultimate fate of being dragged into hell. Don’t
worry, everyone; each of your favorite characters will end up in hell.
-Caroline told
Tyler to get over what she did with Klaus. She compared Tyler biting Nadia to
her sleeping with the guy that killed Tyler’s mother and wrecked him in New
Orleans. Tyler also would like things to work out. I would like for the writers
to drop their relationship.
-Liv made eyes
at Bonnie’s man, Jeremy. Liv already transformed from timid potential witch to
overconfident witch who will certainly become a problem before the end of the
season.
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